Spring Feast 明日之后

The Grottoes in Mogao, located at Dunhuang from the Northern Dynasties, have led to the 2022SS Spring Feast. The Dunhuang Frescos, most of which are figure paintings, belong to a system called highly colored Gongbi. This system's technique prioritises modeling with lines, followed by adding washes of ink and color layer by layer. Within this particular system, firstly, by applying crafts like collage, deconstruction and piling, we try to embody the delicate and yet dense line style. Subsequently, we printed and dyed the color in traditional mineral pigments, then gave it an antique finish to imitate the ancient frescos. Thus, the color of the Spring Feast is both calm and flashy, just like the frescos, which had experienced thousands of years of burning incense and slaking wind. All to revivificate the oriental image of Huang Sha Bian Ye, Da Mo Gu Yan， which means the yellow sands are all over the field, and there is only solitary smoke in the desert within sight. This whole collection uses recycled fabrics, and we invited artists who pay attention to environmental issues to make creations on the Spring Feast, to underline both the artistic and sustainable value of fashion.

TUYUE 2022SS春夏系列「明日之後」 討論一種處境和關係的存在。在設計上，將敦煌莫高窟北朝時期的審美提煉成元素融入到服装中。 敦煌壁畫是以“工筆重彩”人物畫為主的一種繪畫體系。首先強調“以線造型”，其次才是“賦彩”。在這個系列內，我們運用拼貼，解構，堆疊等設計手法來體現工細稠密的線條造型。色彩選用傳統礦植物顏料印染，並使用做舊處理，模仿因香火薰燒和風化千年後沉穩濃麗的古壁畫顏色，還原“黃沙遍野大漠孤煙”的東方意象。 該系列仍舊使用部分回收面料，並邀請同關注環境的藝術家陳晉在服裝上進行創作。強調時尚的藝術性和可持續性。 「人生的本質是詩意的，人是詩意地棲息在大地上的。」